Jazz

Jazz is a musical style that originated at the beginning of the 20th century in black communities in the Southern United States. It was born out of a mix of African and European music traditions. Its African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation and the swung note. From its early development until the present day, jazz has also incorporated elements from American popular music.

As the music has developed and spread around the world it has drawn on many different national, regional and local musical cultures giving rise, since its early 20th century American beginnings, to many distinctive styles: big band swing, Kansas City jazz and Gypsy jazz, bebop from the mid-1940s and on down through West Coast jazz, cool jazz, avant-garde jazz, etc.

In a 1988 interview, Trombonist J. J. Johnson said, "Jazz is restless. It won't stay put and it never will".

Etymology of "Jazz"

The origin of the word  jazz has had wide spread interest — the American Dialect Society named it the Word of the Twentieth Century — which has resulted in considerable research, and its history is well documented. The word began [under various spellings as West Coast slang around 1912, the meaning of which varied but did not refer to music. The use of the word in a musical context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a musical context in New Orleans appears in a November 14, 1916 Times-Picayune article about "jas bands."

Trumpeter, bandleader and singer Louis Armstrong was a much-imitated innovator of early jazz.

The King & Carter Jazzing Orchestra photographed in Houston, Texas, January 1921.

Prohibition in the United States (from 1920 to 1933) banned the sale of alcoholic drinks, resulting in illicit speakeasies becoming lively venues of the "Jazz Age", an era when popular music included current dance songs, novelty songs, and show tunes. Jazz started to get a reputation as being immoral and many members of the older generations saw it as threatening the old values in culture and promoting the new decadent values of the Roaring 20s. Professor Henry van Dyke of Princeton University wrote "... it is not music at all. It's merely an irritation of the nerves of hearing, a sensual teasing of the strings of physical passion."

Even the media began to denigrate jazz. The New York Times took stories and altered headlines to pick at jazz. For instance, villagers used pots and pans in Siberia to scare off bears, and the newspaper stated that it was jazz that scared the bears away. Another story claims that Jazz caused the death of a celebrated conductor. The actual cause of death was a fatal heart attack (natural cause).

From 1919 Kid Ory's Original Creole Jazz Band of musicians from New Orleans played in San Francisco and Los Angeles where in 1922 they became the first black jazz band of New Orleans origin to make recordings However, the main center developing the new "Hot Jazz" was Chicago, where King Oliver joined Bill Johnson. That year also saw the first recording by Bessie Smith, the most famous of the 1920s blues singers. Bix Beiderbecke formed The Wolverines in 1924.

Also in 1924 Louis Armstrong joined the Fletcher Henderson dance band as featured soloist for a year. The original New Orleans style was polyphonic, with theme variation, and simultaneous collective improvisation. Armstrong was a master of his hometown style, but by the time he joined Henderson's band, he was already a trailblazer in a new phase of jazz, with its emphasis on arrangements and soloists. Armstrong's solos went well beyond the theme-improvisation concept, and extemporized on chords, rather than melodies. According to Schuller, by comparison, the solos by Armstrong's bandmates (including a young Coleman Hawkins), sounded "stiff, stodgy," with "jerky rhythms and a grey undistinguished tone quality." The following example shows a short excerpt of the straight melody of "Mandy, Make Up Your Mind" by Irving Berlin (top), compared with Louis Armstrong's solo improvisations The example approximates Armstrong's solo, as it doesn't convey his use of swing.